This is an awesome feature to help expand your creativity even further. You’ll find the “Finger” and “Pick” libraries, exclusively dedicated to your preferred picking style, and also “Sustain,” “Hammer On,” “Pull Off,” “Legato Slide,” “Slide In & Out,” “Palm Mute,” “Natural Harmonic,” and other various articulations that will bring more life to your samples, just like a real classical guitar would have. Aside from the excellent quality, they all feature the imperative dynamics for instruments such as this. You can expect the same warm tones with the distinct color of the nylon strings, but in a friendly package that fits within your preferred workstation and all your projects.Īside from that, the articulations are vast and can help “humanize” the playability with different strum and picking patterns.įeaturing almost 4GB of samples, Ample Guitar L contains very diverse and rich sounds. With such a high standard in mind, Ample Sound unveils this exciting new Kontakt library based on such instruments. Ample Guitar L (Plugin)Īlhambra Guitars has been a well-established company since 1965 and is present in over 70 countries.Īlhambra is the perfect union between the handmade work’s tradition and modern woodworking techniques with an outstanding dedication to building the best handmade classical, flamenco, and steel-string guitars, I suspect, at the rate things are going, that I'll be replacing them one by one as they break or unravel, like I do with my viola, rather than all four at a time.4 Conclusion Top 6 Classical Guitar Plugins & Kontakt Libraries 2024 1. Would love to do that eventually for my CGDA tuned tenor as well, which I know has fluoros, but I only kept the top two on it, and put a Thomastik. If I knew what the heck I was doing gauge-wise, I'd go and buy some rolls of Seaguar fluorocarbon leader, but at this stage I'm afraid I'll get something that's not quite right and will be stuck with it. I suspect no unwound string will be good for the second G below middle C, though. ![]() The 3rd, tuned to low D, broke in less than a month, and I replaced it with more expensive Thomastik one, but am not fond of the wound strings in general, as they are not completely noiseless as my mandola strings are. Who doesn't know? Sheesh.) I kept the top two, but don't know if they're nylon or fluoro (how do you tell the difference?) and put on wound classical guitar strings for the bottom two. I've no idea what was on my baritone to begin with, as the seller had no idea, as he did not change them himself. I already had a wound 3rd break (big shocker, as the flatwound Thomastiks on my mandolas and mandolins have never broken yet, and typically last me for years).Īnyway, now I'm reading about using tenor sets on baritones. I've got to get my act together, as I suspect from what I've seen so far that I'll need to change them far more often than those on my other instruments. Is everyone on this thread tuning their baritones the same way? DGBE? I'm finding myself more and more confused about strings, especially as I'm playing mine in fifths tuning (GDAE).
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